109 bars of 4/4 at 135 BPM, about 3:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 26-28, 30-32 and 36, and 5 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 24 times: bars 3, 5, 9, 15, 17, 23 and 18 more.
8 more fills are written out on the fills page.
109 bars across 17 sections: 59 keep time, 24 are fills, 9 are stops and 6 are silent. The longest unbroken stretch of time is bars 93-102.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
109 bars, about 3:14 at the written tempo. The course breaks it into 42 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 24 times: bars 3, 5, 9, 15, 17, 23 and 18 more.