128 bars of 4/4 at a walking 90 BPM, 5:21 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 37-44, 46 and 48, and 3 more places -- 10.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 21 times: bars 16, 20, 24, 28, 52, 56 and 15 more.
14 more fills are written out on the fills page.
128 bars across 14 sections: 75 keep time, 21 are fills, 6 are stops and 9 are silent. The longest unbroken stretch of time is bars 38-50.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 73 out of 100; the rest of the number is everything around it.
128 bars, about 5:21 at the written tempo. The course breaks it into 63 exercises over 21 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 21 times: bars 16, 20, 24, 28, 52, 56 and 15 more.