175 bars of 4/4 at 130 BPM, about 5:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-16, 26-32 and 50-52, and 5 more places -- 24.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 4 times: bars 44, 66, 67 and 85.
175 bars across 23 sections: 123 keep time, 4 are fills, 3 are stops and 17 are silent. The longest unbroken stretch of time is bars 75-82.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
175 bars, about 5:22 at the written tempo. The course breaks it into 47 exercises over 13 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 4 times: bars 44, 66, 67 and 85.