168 bars of 4/4 at 147 BPM, about 4:33 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33, 35 and 67-78, and 6 more places -- 17% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 29 times: bars 13, 15, 32, 34, 36, 44 and 23 more.
7 more fills are written out on the fills page.
168 bars across 21 sections: 106 keep time, 29 are fills, 4 are stops and 3 are silent. The longest unbroken stretch of time is bars 1-9.
147 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
168 bars, about 4:33 at the written tempo. The course breaks it into 58 exercises over 18 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 29 times: bars 13, 15, 32, 34, 36, 44 and 23 more.