337 bars of 4/4 at a walking 100 BPM, 13:28 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-15, 30-36 and 58-64, and 2 more places -- 12% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 34 times: bars 16, 24, 44, 48, 96, 124 and 28 more.
17 more fills are written out on the fills page.
337 bars across 39 sections: 210 keep time, 35 are fills, 30 are stops and 29 are silent. The longest unbroken stretch of time is bars 251-263.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 83 out of 100; the rest of the number is everything around it.
337 bars, about 13:28 at the written tempo. The course breaks it into 102 exercises over 29 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 34 times: bars 16, 24, 44, 48, 96, 124 and 28 more.