94 bars of 4/4 at 150 BPM, about 2:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 8-15, 25 and 27, and 6 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 10 times: bars 23, 31, 35, 57, 61, 65 and 4 more.
3 more fills are written out on the fills page.
94 bars across 10 sections: 68 keep time, 10 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 41-56.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 19 out of 100; the rest of the number is everything around it.
94 bars, about 2:31 at the written tempo. The course breaks it into 38 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 23, 31, 35, 57, 61, 65 and 4 more.