49 bars of 4/4 at a walking 100 BPM, 1:58 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 17-23 -- 15.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 10 times: bars 16, 24, 28, 30, 31, 32 and 4 more.
3 more fills are written out on the fills page.
49 bars across 5 sections: 24 keep time, 10 are fills, 9 are stops and 3 are silent. The longest unbroken stretch of time is bars 17-23.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 42 out of 100; the rest of the number is everything around it.
49 bars, about 1:58 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 16, 24, 28, 30, 31, 32 and 4 more.