125 bars of 4/4 at a walking 90 BPM, 5:29 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 20-22, 24-26 and 30-32, and 10 more places -- 31.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 19 times: bars 9, 17, 27, 38, 42, 48 and 13 more.
6 more fills are written out on the fills page.
125 bars across 12 sections: 92 keep time, 19 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 84-96.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
125 bars, about 5:29 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 19 times: bars 9, 17, 27, 38, 42, 48 and 13 more.