200 bars of 4/4 at 120 BPM, about 6:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 56-57, 59-63 and 65-70, and 8 more places -- 17.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 13 times: bars 6, 9, 21, 39, 55, 58 and 7 more.
4 more fills are written out on the fills page.
200 bars across 16 sections: 115 keep time, 13 are fills, 5 are stops and 55 are silent. The longest unbroken stretch of time is bars 176-187.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
200 bars, about 6:32 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 6, 9, 21, 39, 55, 58 and 7 more.