120 bars of 4/4 at 110 BPM, about 4:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 4-5, 7-8 and 10-11, and 6 more places -- 16.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 42 times: bars 13, 15, 16, 17, 19, 23 and 36 more.
7 more fills are written out on the fills page.
120 bars across 12 sections: 57 keep time, 42 are fills, 7 are stops and 9 are silent. The longest unbroken stretch of time is bars 77-93.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
99 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 100 out of 100; the rest of the number is everything around it.
120 bars, about 4:41 at the written tempo. The course breaks it into 31 exercises over 14 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 42 times: bars 13, 15, 16, 17, 19, 23 and 36 more.