154 bars of 4/4 at 150 BPM, about 4:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 33-38, 41-46 and 49-54, and 1 more place -- 13.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 32 times: bars 8, 10, 12, 14, 16, 20 and 26 more.
15 more fills are written out on the fills page.
154 bars across 11 sections: 101 keep time, 32 are fills, 2 are stops and 7 are silent. The longest unbroken stretch of time is bars 32-55.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 71 out of 100; the rest of the number is everything around it.
154 bars, about 4:06 at the written tempo. The course breaks it into 56 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 32 times: bars 8, 10, 12, 14, 16, 20 and 26 more.