170 bars, 11:01, at 60 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 22-32, 59-71 and 150-153, and 1 more place -- 26.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 4 times: bars 52, 136, 141 and 154.
177 bars across 15 sections: 96 keep time, 4 are fills, 13 are stops and 47 are silent. The longest unbroken stretch of time is bars 22-38.
60 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
170 bars, about 11:01 at the written tempo. The course breaks it into 46 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 4 times: bars 52, 136, 141 and 154.