105 bars of 4/4 at 110 BPM, about 3:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-3, 5-7 and 9-11, and 5 more places -- 27% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 17 times: bars 21, 22, 23, 24, 25, 26 and 11 more.
105 bars across 13 sections: 66 keep time, 17 are fills and 16 are silent. The longest unbroken stretch of time is bars 1-15.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
98 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 100 out of 100; the rest of the number is everything around it.
105 bars, about 3:49 at the written tempo. The course breaks it into 34 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 17 times: bars 21, 22, 23, 24, 25, 26 and 11 more.