143 bars at 160 BPM -- fast, and 3:36 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 120-122, 124-125 and 128-130, and 3 more places -- 11.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 8 times: bars 8, 16, 30, 71, 79, 87 and 2 more.
143 bars across 11 sections: 106 keep time, 8 are fills, 10 are stops and 13 are silent. The longest unbroken stretch of time is bars 119-142.
160 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
143 bars, about 3:36 at the written tempo. The course breaks it into 42 exercises over 18 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 8, 16, 30, 71, 79, 87 and 2 more.