145 bars at 170 BPM -- fast, and 3:25 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 24-38 and 62-77 -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 15 times: bars 15, 17, 19, 21, 23, 53 and 9 more.
1 more fill is written out on the fills page.
145 bars across 11 sections: 114 keep time, 15 are fills and 1 is a stop. The longest unbroken stretch of time is bars 115-144.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
145 bars, about 3:25 at the written tempo. The course breaks it into 40 exercises over 13 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 15 times: bars 15, 17, 19, 21, 23, 53 and 9 more.