126 bars of 4/4 at 123 BPM, about 3:55 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 47, 49 and 75-77, and 2 more places -- 8.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 54 times: bars 13, 14, 15, 16, 22, 23 and 48 more.
13 more fills are written out on the fills page.
126 bars across 11 sections: 51 keep time, 54 are fills, 10 are stops and 1 is silent. The longest unbroken stretch of time is bars 6-12.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
126 bars, about 3:55 at the written tempo. The course breaks it into 53 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 54 times: bars 13, 14, 15, 16, 22, 23 and 48 more.