143 bars of 4/4 at 132 BPM, about 4:18 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 36-38, 40-43 and 97-105, and 1 more place -- 29.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 8 times: bars 16, 17, 35, 39, 53, 73 and 2 more.
143 bars across 11 sections: 96 keep time, 8 are fills, 15 are stops and 9 are silent. The longest unbroken stretch of time is bars 116-143.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
143 bars, about 4:18 at the written tempo. The course breaks it into 43 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 16, 17, 35, 39, 53, 73 and 2 more.