220 bars, 14:40, at 60 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 95-99, 101-104 and 107-111, and 10 more places -- 16.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 20 times: bars 24, 52, 53, 61, 67, 73 and 14 more.
3 more fills are written out on the fills page.
220 bars across 12 sections: 174 keep time, 20 are fills, 3 are stops and 13 are silent. The longest unbroken stretch of time is bars 160-220.
60 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
86 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
220 bars, about 14:40 at the written tempo. The course breaks it into 48 exercises over 23 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 20 times: bars 24, 52, 53, 61, 67, 73 and 14 more.