25 bars, 1:38, at 61 BPM: slow enough that every note is exposed. Crash, ride, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 1 more place -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 8 times: bars 14, 15, 16, 17, 18, 19 and 2 more.
25 bars across 3 sections: 11 keep time, 8 are fills and 4 are silent. The longest unbroken stretch of time is bars 10-13.
61 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
61 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 42 out of 100; the rest of the number is everything around it.
25 bars, about 1:38 at the written tempo. The course breaks it into 8 exercises over 3 sittings, about 25 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 8 times: bars 14, 15, 16, 17, 18, 19 and 2 more.