103 bars of 4/4 at 153 BPM, about 2:42 of playing, on crash, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 20, 22 and 24, and 15 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 10 times: bars 27, 35, 43, 51, 63, 79 and 4 more.
103 bars across 10 sections: 67 keep time, 10 are fills, 6 are stops and 13 are silent. The longest unbroken stretch of time is bars 81-94.
153 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
103 bars, about 2:42 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
4 fills to learn, played 10 times: bars 27, 35, 43, 51, 63, 79 and 4 more.