74 bars, 3:57, at 75 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 15, 17 and 35, and 7 more places -- 14.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 31 times: bars 13, 14, 16, 18, 20, 22 and 25 more.
6 more fills are written out on the fills page.
74 bars across 9 sections: 30 keep time, 31 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 4-12.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
74 bars, about 3:57 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 31 times: bars 13, 14, 16, 18, 20, 22 and 25 more.