121 bars, 6:55, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 1-6, 8 and 11, and 13 more places -- 30.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 12 times: bars 30, 68, 79, 80, 83, 84 and 6 more.
3 more fills are written out on the fills page.
121 bars across 17 sections: 84 keep time, 12 are fills, 3 are stops and 3 are silent. The longest unbroken stretch of time is bars 94-108.
70 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 20 out of 100; the rest of the number is everything around it.
121 bars, about 6:55 at the written tempo. The course breaks it into 38 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 30, 68, 79, 80, 83, 84 and 6 more.