79 bars, 5:20, at 57 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 21-23, 34-38 and 62-63, and 1 more place -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 9 times: bars 10, 11, 12, 13, 14, 15 and 3 more.
84 bars across 12 sections: 36 keep time, 9 are fills, 7 are stops and 25 are silent. The longest unbroken stretch of time is bars 21-28.
57 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
32 out of 100 -- a fair first song -- with how fine the subdivision is the part that decides it. The beat itself is 11 out of 100; the rest of the number is everything around it.
79 bars, about 5:20 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 9 times: bars 10, 11, 12, 13, 14, 15 and 3 more.