132 bars of 4/4 at 153 BPM, about 3:27 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 22 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 23 times: bars 4, 8, 14, 15, 16, 26 and 17 more.
4 more fills are written out on the fills page.
132 bars across 11 sections: 91 keep time, 23 are fills, 4 are stops and 3 are silent. The longest unbroken stretch of time is bars 61-71.
153 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
132 bars, about 3:27 at the written tempo. The course breaks it into 39 exercises over 13 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 23 times: bars 4, 8, 14, 15, 16, 26 and 17 more.