110 bars of 4/4 at 133 BPM, about 3:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 38, 40 and 42, and 11 more places -- 15.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 26 times: bars 17, 18, 19, 20, 21, 27 and 20 more.
7 more fills are written out on the fills page.
110 bars across 9 sections: 50 keep time, 26 are fills, 9 are stops and 18 are silent. The longest unbroken stretch of time is bars 86-96.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
110 bars, about 3:17 at the written tempo. The course breaks it into 34 exercises over 12 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 26 times: bars 17, 18, 19, 20, 21, 27 and 20 more.