140 bars of 4/4 at 146 BPM, about 3:50 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 41, 43 and 45, and 17 more places -- 16.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 36 times: bars 18, 19, 20, 21, 22, 26 and 30 more.
12 more fills are written out on the fills page.
140 bars across 19 sections: 38 keep time, 36 are fills, 31 are stops and 21 are silent. The longest unbroken stretch of time is bars 42-45.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 30 out of 100; the rest of the number is everything around it.
140 bars, about 3:50 at the written tempo. The course breaks it into 49 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 36 times: bars 18, 19, 20, 21, 22, 26 and 30 more.