108 bars of 4/4 at 150 BPM, about 2:55 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-24, 35-41 and 43-44, and 6 more places -- 29.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 16 times: bars 4, 5, 9, 30, 31, 32 and 10 more.
8 more fills are written out on the fills page.
108 bars across 14 sections: 44 keep time, 17 are fills, 27 are stops and 10 are silent. The longest unbroken stretch of time is bars 85-90.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
108 bars, about 2:55 at the written tempo. The course breaks it into 47 exercises over 15 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 16 times: bars 4, 5, 9, 30, 31, 32 and 10 more.