168 bars of 4/4 at 150 BPM, about 4:29 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 72-74, 76-78 and 88-90, and 3 more places -- 10.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 14 times: bars 9, 22, 26, 30, 34, 35 and 8 more.
8 more fills are written out on the fills page.
168 bars across 22 sections: 112 keep time, 14 are fills, 13 are stops and 2 are silent. The longest unbroken stretch of time is bars 121-134.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
96 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 55 out of 100; the rest of the number is everything around it.
168 bars, about 4:29 at the written tempo. The course breaks it into 71 exercises over 23 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 14 times: bars 9, 22, 26, 30, 34, 35 and 8 more.