62 bars, 3:17, at 75 BPM: slow enough that every note is exposed. Crash, snare, mid tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 3, 5 and 7, and 6 more places -- 18% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 1 time: bar 39.
62 bars across 6 sections: 55 keep time, 1 is a fill and 1 is silent. The longest unbroken stretch of time is bars 1-19.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
35 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 0 out of 100; the rest of the number is everything around it.
62 bars, about 3:17 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 28 minutes each.
crash, snare, mid tom, kick and hi-hat foot. Nothing in the part asks for anything else.
1 fill to learn, played 1 time: bar 39.