184 bars of 4/4 at a walking 84 BPM, 8:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 41-47, 78-84 and 139-141, and 2 more places -- 15.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 40 times: bars 24, 31, 32, 40, 48, 49 and 34 more.
9 more fills are written out on the fills page.
184 bars across 19 sections: 72 keep time, 40 are fills, 48 are stops and 8 are silent. The longest unbroken stretch of time is bars 95-100.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 13 out of 100; the rest of the number is everything around it.
184 bars, about 8:06 at the written tempo. The course breaks it into 57 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 40 times: bars 24, 31, 32, 40, 48, 49 and 34 more.