325 bars of 4/4 at a walking 90 BPM, 13:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 15-50, 53-54 and 57, and 10 more places -- 17.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 fills to learn, played 84 times: bars 58, 62, 66, 70, 78, 82 and 78 more.
21 more fills are written out on the fills page.
325 bars across 23 sections: 203 keep time, 84 are fills, 10 are stops and 4 are silent. The longest unbroken stretch of time is bars 16-57.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
325 bars, about 13:54 at the written tempo. The course breaks it into 96 exercises over 27 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 84 times: bars 58, 62, 66, 70, 78, 82 and 78 more.