184 bars of 4/4 at a walking 84 BPM, 8:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33-35, 38 and 41-43, and 9 more places -- 15.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 30 times: bars 24, 32, 39, 40, 48, 53 and 24 more.
12 more fills are written out on the fills page.
184 bars across 20 sections: 74 keep time, 30 are fills, 47 are stops and 7 are silent. The longest unbroken stretch of time is bars 140-148.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 9 out of 100; the rest of the number is everything around it.
184 bars, about 8:05 at the written tempo. The course breaks it into 74 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 30 times: bars 24, 32, 39, 40, 48, 53 and 24 more.