178 bars of 4/4 at 120 BPM, about 6:01 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-19, 29-31 and 45-47, and 4 more places -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 65 times: bars 12, 13, 14, 20, 21, 22 and 59 more.
16 more fills are written out on the fills page.
178 bars across 20 sections: 65 keep time, 65 are fills, 6 are stops and 22 are silent. The longest unbroken stretch of time is bars 90-95.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
178 bars, about 6:01 at the written tempo. The course breaks it into 52 exercises over 19 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 65 times: bars 12, 13, 14, 20, 21, 22 and 59 more.