128 bars, 7:58, at 67 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 1-4, 6 and 8-15, and 11 more places -- 32.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 18 times: bars 16, 32, 44, 64, 65, 66 and 12 more.
2 more fills are written out on the fills page.
128 bars across 11 sections: 88 keep time, 18 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 1-15.
67 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
56 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 30 out of 100; the rest of the number is everything around it.
128 bars, about 7:58 at the written tempo. The course breaks it into 29 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 18 times: bars 16, 32, 44, 64, 65, 66 and 12 more.