91 bars of 4/4 at a walking 105 BPM, 3:11 of playing, on crash, ride, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21, 23 and 25, and 15 more places -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 9 times: bars 20, 52, 60, 62, 67, 68 and 3 more.
1 more fill is written out on the fills page.
91 bars across 5 sections: 71 keep time, 9 are fills, 5 are stops and 2 are silent. The longest unbroken stretch of time is bars 21-51.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
91 bars, about 3:11 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 20, 52, 60, 62, 67, 68 and 3 more.