110 bars at 235 BPM -- fast, and 1:50 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 49-51, 53-54 and 57-59, and 5 more places -- 20.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 12 times: bars 24, 26, 28, 30, 32, 36 and 6 more.
4 more fills are written out on the fills page.
112 bars across 9 sections: 83 keep time, 12 are fills, 4 are stops and 5 are silent. The longest unbroken stretch of time is bars 49-75.
235 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
110 bars, about 1:50 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 12 times: bars 24, 26, 28, 30, 32, 36 and 6 more.