161 bars of 3/4 -- not four -- at 100 BPM, 4:49 of playing on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 33-34, 58-66 and 68-70, and 10 more places -- 31.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 14 times: bars 17, 51, 93, 101, 105, 109 and 8 more.
1 more fill is written out on the fills page.
161 bars across 7 sections: 140 keep time, 14 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 19-50.
100 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
161 bars, about 4:49 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 14 times: bars 17, 51, 93, 101, 105, 109 and 8 more.