67 bars of 4/4 at 111 BPM, about 2:24 of playing, on crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-17, 21 and 64 -- 29.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 11 times: bars 18, 22, 23, 24, 52, 53 and 5 more.
67 bars across 4 sections: 51 keep time, 11 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 29-51.
111 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
67 bars, about 2:24 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 11 times: bars 18, 22, 23, 24, 52, 53 and 5 more.