112 bars at 160 BPM -- fast, and 2:48 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10, 12 and 14, and 25 more places -- 27.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 26 times: bars 40, 48, 49, 50, 52, 53 and 20 more.
112 bars across 7 sections: 74 keep time, 26 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 5-21.
160 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
112 bars, about 2:48 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 26 times: bars 40, 48, 49, 50, 52, 53 and 20 more.