73 bars, 3:54, at 75 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 9-10, 13-14 and 31, and 2 more places -- 10.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 13 times: bars 8, 10, 11, 14, 25, 26 and 7 more.
2 more fills are written out on the fills page.
73 bars across 8 sections: 45 keep time, 13 are fills and 4 are silent. The longest unbroken stretch of time is bars 17-24.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
73 bars, about 3:54 at the written tempo. The course breaks it into 33 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 13 times: bars 8, 10, 11, 14, 25, 26 and 7 more.