92 bars of 6/4 -- not four -- at 106 BPM, 5:06 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 14-16, 30-32 and 34-36, and 1 more place -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 22 times: bars 1, 13, 17, 25, 26, 27 and 16 more.
2 more fills are written out on the fills page.
92 bars across 7 sections: 31 keep time, 22 are fills and 36 are silent. The longest unbroken stretch of time is bars 19-24.
106 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
92 bars, about 5:06 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 22 times: bars 1, 13, 17, 25, 26, 27 and 16 more.