112 bars of 4/4 at a walking 98 BPM, 4:33 of playing, on crash, ride, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 15-22, 35-41 and 51-58, and 1 more place -- 30.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 5 times: bars 30, 42, 66, 78 and 88.
112 bars across 13 sections: 78 keep time, 5 are fills, 1 is a stop and 14 are silent. The longest unbroken stretch of time is bars 89-112.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
112 bars, about 4:33 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 5 times: bars 30, 42, 66, 78 and 88.