299 bars, 16:47, at 74 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 7-14, 16-18 and 20-21, and 32 more places -- 34.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
23 fills to learn, played 66 times: bars 2, 3, 4, 5, 6, 22 and 60 more.
20 more fills are written out on the fills page.
304 bars across 17 sections: 86 keep time, 66 are fills, 82 are stops and 51 are silent. The longest unbroken stretch of time is bars 58-69.
74 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
299 bars, about 16:47 at the written tempo. The course breaks it into 73 exercises over 19 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 66 times: bars 2, 3, 4, 5, 6, 22 and 60 more.