90 bars of 4/4 at 124 BPM, about 2:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 2-8, 26-31 and 66-72, and 4 more places -- 33.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 13 times: bars 9, 25, 41, 49, 65, 73 and 7 more.
6 more fills are written out on the fills page.
90 bars across 8 sections: 65 keep time, 13 are fills, 3 are stops and 1 is silent. The longest unbroken stretch of time is bars 11-24.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
90 bars, about 2:53 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 13 times: bars 9, 25, 41, 49, 65, 73 and 7 more.