140 bars of 4/4 at 150 BPM, about 3:44 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 49-55, 89-95 and 129-135 -- 16% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 11 times: bars 8, 24, 39, 40, 64, 79 and 5 more.
3 more fills are written out on the fills page.
140 bars across 19 sections: 100 keep time, 11 are fills, 1 is a stop and 9 are silent. The longest unbroken stretch of time is bars 123-135.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
140 bars, about 3:44 at the written tempo. The course breaks it into 42 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 8, 24, 39, 40, 64, 79 and 5 more.