139 bars at 180 BPM -- fast, and 3:05 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 17-19, and 5 more places -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 30 times: bars 4, 8, 16, 24, 31, 32 and 24 more.
8 more fills are written out on the fills page.
139 bars across 14 sections: 80 keep time, 30 are fills, 7 are stops and 6 are silent. The longest unbroken stretch of time is bars 40-49.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
139 bars, about 3:05 at the written tempo. The course breaks it into 55 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 30 times: bars 4, 8, 16, 24, 31, 32 and 24 more.