80 bars of 4/4 at a walking 100 BPM, 3:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-28, 30 and 50-53, and 1 more place -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 27 times: bars 4, 6, 9, 10, 11, 12 and 21 more.
4 more fills are written out on the fills page.
80 bars across 11 sections: 37 keep time, 27 are fills, 4 are stops and 5 are silent. The longest unbroken stretch of time is bars 24-31.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
80 bars, about 3:12 at the written tempo. The course breaks it into 32 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 27 times: bars 4, 6, 9, 10, 11, 12 and 21 more.