117 bars of 4/4 at 148 BPM, about 3:10 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 10 more places -- 12.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 7 times: bars 16, 24, 32, 56, 60, 64 and 1 more.
2 more fills are written out on the fills page.
117 bars across 20 sections: 76 keep time, 7 are fills, 8 are stops and 14 are silent. The longest unbroken stretch of time is bars 94-108.
148 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
117 bars, about 3:10 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 7 times: bars 16, 24, 32, 56, 60, 64 and 1 more.