115 bars of 4/4 at 120 BPM, about 3:49 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2, 6 and 26-28, and 11 more places -- 23% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 34 times: bars 5, 9, 24, 25, 29, 33 and 28 more.
8 more fills are written out on the fills page.
115 bars across 11 sections: 66 keep time, 34 are fills, 6 are stops and 2 are silent. The longest unbroken stretch of time is bars 10-23.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
115 bars, about 3:49 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 34 times: bars 5, 9, 24, 25, 29, 33 and 28 more.