137 bars of 4/4 at 146 BPM, about 3:45 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 8, 36 and 38, and 14 more places -- 14.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 30 times: bars 10, 14, 18, 31, 32, 33 and 24 more.
7 more fills are written out on the fills page.
137 bars across 15 sections: 56 keep time, 30 are fills, 19 are stops and 20 are silent. The longest unbroken stretch of time is bars 47-56.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
137 bars, about 3:45 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 30 times: bars 10, 14, 18, 31, 32, 33 and 24 more.